Comovente viagem por mais de 3000 anos, em busca de uma paz tantas e tantas vezes frustrada.
E a ambiguidade (tão própria do discurso religioso) da oração que abre o trecho do concerto reproduzido: “Dá a paz, Senhor, em nossos dias, porque não há outro que lute por nós senão tu, Deus nosso.”
“In these recordings from the late 50s and early sixties, Tureck has a wonderful tone and tonal range. It’s at time almost like Edwin Fischer. Gould had other extraordinary talents but he wasn’t a colourist. Gould was an iconoclast, a pianist who would take a piece traditionally played in a slow 4:4 and play it in a fast 2:4. And you would wonder why anyone had ever thought it different. There was a palpable urgency in his playing. It transmits wonderful energy. Tureck, on the other hand, draws you – seduces you into the magical workings of each variation. Each voice with a different sound. And Tureck never lets you forget that everything Bach wrote is a dance. If a performance of Bach doesn’t make you want to get up and dance, then for me it’s failed. A MAGICAL PERFORMANCE”
Comovente viagem por mais de 3000 anos, em busca de uma paz tantas e tantas vezes frustrada.
E a ambiguidade (tão própria do discurso religioso) da oração que abre o trecho do concerto reproduzido: “Dá a paz, Senhor, em nossos dias, porque não há outro que lute por nós senão tu, Deus nosso.”
VARIAÇÕES GOLDBERG J S BACH – em toada lenta, elegante.
https://www.youtube.com/watch?v=bOrmEMqW
“In these recordings from the late 50s and early sixties, Tureck has a wonderful tone and tonal range. It’s at time almost like Edwin Fischer. Gould had other extraordinary talents but he wasn’t a colourist. Gould was an iconoclast, a pianist who would take a piece traditionally played in a slow 4:4 and play it in a fast 2:4. And you would wonder why anyone had ever thought it different. There was a palpable urgency in his playing. It transmits wonderful energy. Tureck, on the other hand, draws you – seduces you into the magical workings of each variation. Each voice with a different sound. And Tureck never lets you forget that everything Bach wrote is a dance. If a performance of Bach doesn’t make you want to get up and dance, then for me it’s failed. A MAGICAL PERFORMANCE”